Friday, January 28, 2011
Thursday, January 27, 2011
Carlyn Hudson (Filmmaker, Reel Women Student Chapter President, Student)
Introductions - Kat explains her background and interests
“I have about 2-3 females in my class and that sucks” - she wonders why which inspired this group, Things need to change...
KAT’s Goals for Club: Fill Student Needs, Fill the Gender Gap, Fill the University and Community Gap
Everyone introduces themselves. Wide array of ages and experience. Most film, some TV, some Actors, and few radio
Membership & Logistics
- Forms and Fee - $10 a semester
- MALES: Yes, RW makes environment that allows women to suceed which does not exclude men from doing the same.
- 1 meeting a month here at UT w/ a speaker
- 1 workshop / salon a month where we can have test screenings, script readings, and general group production support
- Once a semester have big production workshop with Camera, lighting, grip, sound etc.
- Field Trips: Formal field trips that would visit different studios and production sets, informal field trips where we organize to go see a movie together etc.
- Mentorship Program: Getting help you need - getting help and crew from RW members that are hungry for more experience and teaching up with people more experienced than you.
- Call Sheet - a person you can call with questions --> Building a bridge to community
Small break to mingle.
[Beth] Studied Theater and Business in college. Never thought about film as career
Got a job at a small talent agency in San Antonio that mostly casted perfume models
Moved her way up... She was asked to do the extras casting for RocketMan in 1997 but only took that job under the condition that she could cast the principles too. This was her first movie that she was the casting director. She basically took that job from her boss. Though the movie wasn’t highly received, Beth gained respect.
She established herself as a location casting director, meaning that she stays in Texas and casts local people for the major productions that come through that has gaps in its casting. Must know the talent in the area.
During The Rookie, in 2002, there was a moment on set when the whole baseball stadium was full that she was amazed at what she had accomplished.
For casting, Beth usually has a few meetings with the Director and also the Producer. She really needs to know everything they are looking for and imagining. This is a really important part of the casting process for her.
During the casting session if the director doesn’t step up sometimes Beth will ask for an Adjustment just to see the range and see if someone is mold-able.
For Office Space (1999) casting, Beth asked Mike Judge about who he envisions for extras in the office and he said, you know guys with mustaches and glasses, and at first Beth said, “Mustaches, you mean like goatee?” he said no. “no way Mike, people don’t have mustaches” then Mike took Beth to lunch over near Dell and IBM and they sat and watched people in the restaurant during lunch and he was right - they had mustaches.
Tomorrow she has a meeting with Tim McCanlies then Rick Linklater about Boyhood, Rick’s 12 year project.
When asked how the process differs for extra casting vs. principle she said it is about the same amount of work. She tries to make sure that she’s not just casting whoever.
When asked does she cast for the look or for the talent she said both but it depends on the part.
“Oh I’m old school. I have file cabinets. I like to have the headshot in my hand and point at it.” Now a days, everything is more electronic but she still has her filing cabinet. She got sad because someone cleaned out her cabinets and “What, I had a photoboth headshot of Brit Daniels (lead singer of Spoon) in there”
“[It's] Feast or famine in contractor & freelance world” “I have work through May but who knows what the summer will bring”
Do you ever get nervous - “not really” She clashed with her casting method with a new director for a tv movie.
With Machete (2010) she faced the challenge of finding a woman to be completely nude and pull a cell phone from her vage. “It wasn’t scary, just new.” You have to be careful with nudity, you want to make sure that there aren’t that many people in the room during the casting session and that the actor is comfortable.
Thursday, January 13, 2011
Deadline Friday January 21
City of Austin, Faces of Austin
Deadline Friday January 28
Texas Filmmaker's Showcase
Deadline Friday April 1
Student Academy Awards
Deadline Friday April 1
NEW MANDATORY EQUIPMENT AND INSURANCE SESSIONS
IN ORDER TO USE RTF CHECKOUT EQUIPMENT YOU MUST ATTEND ONE EQUIPMENT SESSION and PASS A QUIZ
Students in the following classes MUST ATTEND an Equipment and Insurance Session.
RTF 318 Radtke, RTF 366K D. Lewis, RTF 340 Knight, RTF 366K Marslett, RTF 341 Friend, RTF 366K Spiro, RTF 343 Knight, RTF 366K Garrison, RTF 343 Candler, RTF 366D Radtke, RTF 343 Spiro, RTF 366D Alvarez, RTF 368S Schiesari, RTF 881KB Shea/388P Shiesari/390E Garrison, RTF 366K Mims
Students in the classes listed below only need to attend if they will use RTF equipment this semester.
RTF 319 Caraway, RTF 344 Bays, 351C/351D,
SESSIONS WILL BE HELD
THURS. Jan. 20 3:30-5 CMA 2.320
FRI. Jan. 21 10-11:30 Studio 4D (CMB 4.122)
FRI. Jan. 21 10-11:30 BUR 134
TUES. Jan. 25 12:30-2 Studio 4D (CMB 4.122)
FRI. Jan. 28 12:30-2 Studio 4D (CMB 4.122)
Have a class conflict with these sessions? Email mail to RTFCheckout@austin.utexas.edu immediately. Give your eid and attach your class schedule.