Upcoming Events

Documentary Panel
Women in Cinema Meeting and Guest Series (Documentary Panel)

***THERE HAS BEEN A LAST MINUTE CHANGE IN Panelists***

Tuesday, August 30th, 7pm-9pm, CMA Building, Rm # 3.116
Meeting from 7:00-7:30pm, Panel from 7:30-9:00pm

This event is free and open to all.

Join the Women in Cinema group for their Documentary Panel. Panelist Laura Sobel, director of Cereal: History in a Bowl, Rakeda Lashae, documentary television director, and Mike Nicholson, producer of Better This World come together for an evening of shared non-fiction filmmaking secrets. Hear about non-fiction filmmaking and television production from ladies who have done it before.

Women in Cinema is an official University of Texas at Austin Student Organization, formerly known as Reel Women Students. Women in Cinema provides a support system for student filmmakers at all levels of experience and also aim to provide students with the knowledge, tools and connections that will better enable them to create successful films.

GUEST SPEAKERS:

LAURA SOBEL has produced and written for PBS, A&E, Biography, VH1/MTV Networks
and Fuel TV. She directed and wrote Cereal: History in a Bowl, a pilot for The History
Channel that extended to a 13-part series. Her scripts for A&E Biography have run
the gamut from Hugh Jackman to Catherine the Great to a behind-the-scenes looking
at the making of the movie Animal House. She also co-produced the ITVS funding
documentary Tattooed Under Fire with Nancy Schiesari. As a development writer, her
credits include film treatments and series proposals for PBS, HBO, National Geographic,
Bravo, Discovery, HGTV, and A&E. Laura also teaches documentary filmmaking
workshops at DCTV in New York and at The Mobile Film School in Austin, Texas.

RAKEDA LASHAE has more than ten years of experience as a producer and director. Her credits are with networks like A&E, NBC and MTV. Rakeda Lashae's career began at Warner Bros., with work on various television series and feature film, Cats and Dogs. She went on to join VH1, lending her producing and directing talent on the Emmy winning series, Behind The Music. Other VH1 shows on her credit list include Driven, Hip Hop Babylon and Ultimate Albums, which earned several award nominations. In addition, she's produced episodes of documentary series, E! True Hollywood Story and E! Investigates. Her independent work includes shorts films, music videos and The N Word, a Peabody Award winning documentary she associate produced.)

MIKE NICHOLSON is a founding partner of Picturebox and an accomplished graphic artist with more than ten years of experience. He has designed titles for numerous films including The Hot Shoe, Cremains, Clock-Paint-Eyeball, and My Electric Bill. In addition to producing award-winning commercial and industrial projects, Mike served as co-producer and director of photography for the documentary Blaze Foley Inside. With partner J. Kevin Smith he co-directed the feature documentary Teaching Austin, which aired on PBS. Mike recently produced Better This World, a critically acclaimed feature documentary which premiered at the SXSW Film Festival in 2011.

*****

Slacker 2011 Premiere

August 31^st, 7pm, The Paramount Theatre

Last semester’s members were able to work together and contribute a scene for the upcoming feature Slacker 2011. Richard Linklater's Slacker inspired a generation of American filmmakers by exploring the subculture of Austin, Texas in a loose narrative with a tapestry of quirky characters. Celebrating the 20th anniversary of that iconic movie, 24 of Austin's top filmmakers banded together to update Slacker with their own perspectives on the city. Slacker 2011 is a stream-of-consciousness chronicle of a day in Austin, presenting the city-dwellers, dragworms, proto-hipsters and locations that give the city its modern identity. The film showcases a transformed town next to things that never change. Slacker 2011 is an homage to twenty years of independent filmmaking, presenting the city’s changing face and showcasing some of its most exciting talent. If you are interested come join us to the screening of the film! Tickets cost $15 for general admission and $10 for AFS Members.

https://www.austinfilm.org/slacker2011

http://www.austintheatre.org/site/Calendar?view=Detail&id=27221

We are planning on meeting up beforehand and going out to dinner, Silhouette (http://www.yelp.com/biz/silhouette-austin). So let us know if you need a ride or just want to meet us there.

*****

Women in Cinema’s Camera, Sound, Lighting Workshop
Saturday, September 10th, 10am - 5pm

Picturebox Studios, $5 for UT Reel Women Members ONLY

We're offering a beginning of the semester workshop going over camera, lighting and sound to Women in Cinema members. Lunch is included in the $5.00 registration. Come get a stress-free opportunity to get your hands on equipment with trained, professional instructors. To sign up, please send a note to utwomenincinema@gmail.com with "WC Students Workshop" in the heading. Pre-registration is required.

*****

The Austin Studios Tour Field Trip

Tuesday, September 13th
5:30pm - 7pm
Austin Studios
Hosts: John Mace, Ryan Long

Cap of 20 Students (Including However Many of Us are Going)
Registration, First Come First Serve
Must Be a Women in Cinema Member

Join Women In Cinema for an evening of exploration of the famous Austin Studios. Learn how studios operate and what kind of things get made. See the largest green screen in the state.

*****

Editors' Panel
Women in Cinema Meeting and Guest Series (The Editing Panel)

Tuesday, September 27th, 7pm-9pm, CMA Building, Rm # 3.116
Meeting from 7:00-7:30pm, Panel from 7:30-9:00pm

This event is free and open to all.

SANDRA ADAIR began working as an assistant editor to some of Hollywood’s leading editors in the early 1970s and learned the principles of post-production. She started editing small, low-budget films in the mid-1980s and by 1990 served as second editor on Paramount Pictures' Internal Affairs. In 1991 she moved with her husband and two children to Austin, where she continued to work on both feature films and documentaries. She teamed with Texas documentarian Hector Galan on the award-winning The Hunt for Pancho Villa and Songs of the Homeland. Ms. Adair’s most active alliance in Austin has been with Academy-Award-nominated filmmaker Richard Linklater, for whom she has edited 14 films: Dazed and Confused, Before Sunrise, subUrbia, The Newton Boys, Waking Life, Tape, the short film Live from Shiva’s Dance Floor, the hit comedy School of Rock, Before Sunset, Bad News Bears, the animated feature A Scanner Darkly, Fast Food Nation, based on the best-selling book, the documentary Inning by Inning: A Portrait of a Coach, Me and Orson Welles and most recently, Bernie. Adair is a member of American Cinema Editors and of The Academy of Motion Picture Arts and Sciences. She remains very active in the local film community in Austin, as a mentor and as a
member of the Austin Film Society.

KAREN SKLOSS an award-winning filmmaker and internationally exhibited visual artist. She has edited a number of feature documentaries some of which include: Atomic Ed & The Black Hole, Writ Writer, Be Here to Love Me: A Film About Townes Van Zandt. Sunshine is her first feature film as director.

Our Slacker 2011 Scene gets some attention

Slacker 2011: Carlyn Hudson and Reel Women Students Squeeze Into a Packed Car

In celebration of Slacker's 20th anniversary, local filmmakers are re-creating scenes from the Richard Linklater movie for Slacker 2011, a fundraising project benefitting the Texas Filmmakers Production Fund. The trailer is now available. As we await the August 31 premiere, we're chatting with some of the filmmakers participating in one or more of the short films that will comprise the project.
Today's interview is with Carlyn Hudson, a young filmmaker who directed the Slacker 2011 sequence produced by the Reel Women UT Chapter.

Slackerwood: Which scene from the film did you re-shoot?
Carlyn Hudson: We re-shot the scene with Steve ("S-T-E-V-E") and three girls in a van who proceed to Blue Bayou (now Trophy's) and get rejected.

Why were you looking forward to re-creating this particular scene?
This scene isn't necessarily one of the iconic ones in Slacker, so that in itself created a unique opportunity. Furthermore, it never made sense to me that one of the girls left her friends to be with Steve, clearly a D-bag.
We also shot with an all-female crew which was incredible and a first for most of us on set.

What do you think your challenges have been in re-visiting this scene?
Technically our scene presented a few challenges. We had a night scene in a moving vehicle during which for most takes, four characters, an audio recordist, the cinematographer, and myself were filming in the car also stuffed with music gear. Please don't inform the Austin police of this fact.

Do you have any connections or memories related to the original Slacker?
To be completely honest, I do not. I'm in my early 20s, so I came to Slacker around the time it began streaming on Hulu.
I do have a vivid memory of coming to Austin as a nine-year-old, however, when we were sending my older sister off to UT. After being accosted by drag-rats, exposed to more sexual orientations than I knew existed, and witnessing the strangest wardrobe choices of my life, I threw my arms around my sister, crying, and said, "How can we let her live here, with all of these ... weirdos!"
I may have been late seeing the film itself, but the legacy Slacker created (and documented) was certainly a part of what drew me to Austin to make films. I am thrilled to re-create a scene honoring my own generation's particular brand of slacking.

By Elizabeth Stoddard 

 

http://www.slackerwood.com/node/2312 

SLACKER 2011: S-T-E-V-E, Day 2

Another awesome night of female filmmaking at its finest. Tonight the Reel Women Student group shot the first half of their scene for the Slacker 2011 which takes place in a van. Officially we got assigned scene 19 which consists of Steve driving 3 girls in his car to a club that his roommate's band is playing at after randomly meeting them in a dinner. (You might remember it in the original movie because he's talking about the ants in his apartment.) It's a two part segment because there's the van part and then there's the part in front of the club, which was shot yesterday. We were happy to get this scene because there seemed to be a lot of room for creativity.

The cast and crew met at Arts and Labor which generously lent us its space to set up camp. This was an interesting shoot because all that needed to be done was prelight the van, hide the mics, measure the focus for the camera, let the scene play out in the van and tweek / adjust along the way. The scene requires for four people to be in the van, two in front and two in back. There were going to be two major set ups: the front of the car and the back of the car. There was a lot more relaxed lounging on this night for everyone that wasn't piled in the car. 

Once the sun had set, lights were ready, Carlyn, the director, Therese, the Director of Photography, Renee Stairs, the sound recordist and mixer and Kate Steinhebel, the first Assistant Camera piled into the car with two actors at a time. They drove up and down Lamar Blvd doing the scene over and over and over and over again until they got what they wanted. After every other take they would pull over, get some air and adjust. This became more challenging when the camera was positioned to face towards the back of the car since there was suppose to be musical equipment in the back of the car. One thing is for sure, these ladies were committed to their job.

Meanwhile at Arts and Labor the rest of us hung out, worked on our TFPF applications which are due tomorrow, played in the parking lot and kept our equipment organized. Because of the generous donations, we were able to do a coffee run around 10:00pm. Tonight's meal was provided by Chipotle Mexican Grill which definitely hit the spot.

For more pictures from Slacker 2011, photographer Sarah Gonzalez please visit the Reel Women Students Picasa

For more pictures from Slacker 2011, photographer Patrick Rusk please visit the Flickr 

SLACKER 2011: S-T-E-V-E, Day 1

After weekly meetings, a ton of emails, casting, rehearsals, camera tests, etc., our pre production has come to a head for our Slacker 2011 scene. Tonight we shot the first half of our scene at Trophy's Bar which is the same bar that the original scene was shot. Beth, producer, sent out an email with the call times and locations on Sunday, reminding everyone to let her know if they have any dietary issues. Finally tonight was the night!

Call time was at 7:30pm. Everyone found the place without any real problems and no one was late. Everyone smoothly got to work or began to eat dinner. Other than the 2 male actors and Patrick Rusk the still photographer, it was a set full of all women in all roles. It was a beautiful scene of moviemaking at it's best. No drama and no real problems. Director Carlyn Hudson, Director of Photography Therese Tran and Producer Elizabeth Chatelain had been working around the clock for the last couple weeks preparing for every possible snag. Trophy Bar was very generous to give the production the whole back lot of the club, just for the production to spread out and make camp and of course the front of the bar for the shoot.

Carlyn and Beth spent a lot of time finding the right people for this piece of Slacker 2011. Steve was played by Alejandro (Ali) Rose-Garcia, Annick (aka "Traveler") played by Jessie Tilton, the Writer by Maggie Lea, Questions Happiness girl by Adriene Mishler, the Italian Cousin by Reel Women Student Gaia Bonsignore, Guy on Ledge by Will Elliot, Girl on Bike by Mimi Lopez and Doorman by Eric Lord. An interesting fact about Eric Lord, he played the original doorman in Richard Linklater's Slacker 20 year ago.

The sun was setting during everyone's arrival so the G&E had to go right to work with the camera department to make sure they rigged everything and got their electricity of juice figured out early while they had the natural light. However, the magic-hour light made it so that they couldn't place the lights or test the camera until they could see how it would all look in the night sky. Meanwhile the actors ate, got in costumes and make-up while Carlyn sat with them all, going over everything one last time. Manoeuvrings around the camera department and G&E, the art department got to work transforming this has-been club to look more like a lovable dive bar.

The food was provided by Pok-e-Jo's. BBQ was the perfect addition to keep everyone fed and happy. Some might think that girls don't like meat and those people are fools. These ladies can put back some BBQ. Each group or filmmaker that the Austin Film Society recruited was given a small amount of money and resources to produce the scene for the Slacker 2011 project. Though this was very useful and appreciated, it didn't cover all the costs that were seen for this scene. Reel Women board members Heather Collier, Beth Sepko, and Suzanne Weinert each gave a donation to the scene which was amazing. We can't thank them enough. It was because of their generous contribution that we were able to get a sufficient amount of snacks and refreshments that made our crew work as hard as they did.

The production was about halfway through the night when local Austin legend, Leslie came strolling on to set. If you don't know Leslie is a semi homeless man that lives in Austin and dresses in women's clothes. He didn't disrupt the production but was instead a surprising delight. The Assistant Producers, Jordan Harrison and Sarah Gonzalez, even thought he might make a great addition as an extra, walking by in the scene. However after some discussion, it turned out the Leslie's on set rate was much higher than the production was willing to spend. Instead, he ate a meal at craft services and made everyone in the back feel uncomfortable with awkward conversion before leaving for more important things to do.

Overall everything went better than expected. It was the smoothest set set. Carlyn did a terrific job staying focused, directing the actor while working with Therese, the DP. All the ACs, Assistant Cameras, and Grips did an amazing job maintaining the look. The sound department consisting of Renee Stairs and Hallease Clemons kicked major butt battling with the South Congress ambience.

It was wrapped at 2:00am (on schedule). Kelsey Coggins, Assistant Director, had done a fantastic job keeping everyone on schedule. Everyone had smiles on their faces as they ate the leftover snacks and put away the equipment. Tomorrow was going to be another late night production, but knowing it was in the hands of these ladies, everyone had faith it was going to be fun.

For more pictures from Slacker 2011, photographer Sarah Gonzalez please visit the Reel Women Students Picasa

For more pictures from Slacker 2011, photographer Patrick Rusk please visit the Flickr