Script Reading Review

Last night we had our script reading for the summer production. We got 10 wonderful scripts by Women In Cinema members, Brittany Reeber, Alex Thomas, Malina Panovich, Katy Poulter, Catherine Jackson, Jing Yang, Carlyn Hudson, Megan Cardwell, Sarah Gonzalez, and Iris Blackbur. Unfortunately because of time, all we did was read each script. All the people who submitted scripts and the Women in Cinema officers will now vote on their favorites and the top three scripts will get workshopped on March 29th. After the workshop, Women In Cinema Officers will pick the best script for the summer production.

It's all very exciting. Please join Women In Cinema for the script workshop on March 29th. Be a part of the pre-production process.

Loglines for the scripts:

Blackout Arm Wrestling tells the tale of one man's missed opportunity to escape his bar-fly life on a night filled with debauchery, violence and taxidermy.

Chicken and Frittata: A divorced couple introduce their new significant others at their 'multi-ethnic' dinner party.

Cream Dreams: A man and woman meet for a first date at a yogurt shop but can only keep thinking of what the other is like sexually based on their yogurt selections.

Fallout: Though a few strangers have ended up together in a bomb shelter during nuclear warfare, they remained determined to stay alive, with or without each other.

Kiss of Death: A woman is seduced by Death and Time in a rundown carnival. When faced with the immediacy of her own death she must decide how to live with the time she has left.

Mother's Day: A night of debauchery leads to a morning of unfortunate desperation.

Mother's Photo Album: A lonely woman suffering from Alzheimer's only remaining memories are of her beloved son's childhood.

Smiley: The new girl at a high school, Sam, learns that people are not always predictable by hearing about the troubled past of a popular boy, Julian and his dad unintentionally involved with drug trafficking in Mexico.

Sunday Afternoon: As a couple gets lost on their way to a wedding in a lower middle-class neighbor, they accidentally run over a family's dog, in front of the children who were playing in the front yard. As the family and the couple fight over who's to blame, it becomes clear that there are no innocent parties in this situation.

Untitled: In a world where personal property is not respected, one girl/woman/whatever you want them to be, will stand against tyranny to bring forth justice! Little does she know, her actions will destroy life as she and her roommates know it. Based on the true story of my imagination, or something that I dreamed and thought was real. Inspired by Stephen Hawkings and endorsed by Oprah.

Meeting, Reading, Workshopping

This past Thursday night was script review/screening night over at Reel Women Students meeting headquarters. It was my understanding that we were lacking a few attendants due to Elizabeth Avellán speaking on campus, which, according to another RWS member, was fantastic. But back to the meeting…

In a nutshell, here’s what you missed: attempted robbery, hanky panky, murder, a missing person, relationship woes, racial issues and a dog dying. This was all in the two scripts we reviewed, of course.

The first script, by Kirsten Frazee, was a feature-length script (we only read a bit of the first part) entitled, “Killer Kate.” It was a stylized, Film Noir-type “erotic thriller.” “There is some profanity, so if any of y’all are offended…,” said Kirsten. “Oh, I’m offended if there’s not,” countered another member. So we all agreed that we were all adults that could handle the material, and we were assigned roles for the read-through. 

Aside from One Act Play back in my younger years (i.e. high school), I have never actually participated in a read-through, for sure, never for a film. Despite my hacking cough, brought on by what I assume to be allergies, I had fun playing an old man who owned a convenient store and called other characters, “kid.” (The cough helped me get into character for the old man.)

After we all finished, the floor was opened to give feedback. Kat Candler, our fearless faculty leader, encouraged Kirsten to put some fresh spins on her story. To give her story a good arch, she said Kirsten should know her characters through and through by making pages and pages of character bios. “It’s not about what you do—it’s why you’re doing it,” Carlyn Hudson said, regarding characters’ actions. Finally, Kat told Kirsten to do her homework. “The best writers spend so much time researching,” said Kat. 

The second read-through was for a short script by Sarah Gonzalez with the working title, “Saturday Afternoon.” This script was a drama that tackled heavy issues like race and death. My character here was Amy, and I killed a dog. (On accident, I assure you.) 

As a group, we talked about what was working in the script and what was confusing. We made some suggestions for tweaking the story a bit and even changing the dog’s name. Kat referenced the simplistic beauty of the script for “The Kids Are All Right” where the characters get in, establish conflict, and get out. She also noted the consistency of the film’s theme. (Note to self: re-watch “The Kids Are All Right.”) Her big challenge for Sarah was to narrow down her focus/conflict and cut out four pages. 

Overall, it seemed that both women walked away with some excellent constructive feedback. I walked away coughing, thinking of beloved pets lost, the satisfaction of participating in my first official read-through and an itch to Netflix “The Kids Are All Right.” I’d call the meeting a success…

Next up: Production Design Meeting with special guests and info. on Summer Production Camp, 4/21